Shall we capitalize on the bold quality of our humor? I’d underline the point that it can’t descender lower than it is already with these characters. https://wp.me/p1OLc1-5Qe

Shall we capitalize on the bold quality of our humor? I’d underline the point that it can’t descender lower than it is already with these characters. @dspreadbury @davemacdo

Shall we capitalize on the bold quality of our humor? I’d underline the point that it can’t descender lower than it is already with these characters. https://wp.me/p1OLc1-5Qe

Always fun to see this pop up in the podcast feed, this time with @dspreadbury and @davemacdo

New post and podcast episode! Daniel Spreadbury returns to Scoring Notes to talk about the common set of font specifications known as the Standard Music Font Layout, or SMuFL. We get into the history of music fonts and how we got to where we are today with this essential component of music notation software technology.

If you don't mind diving into some of Sibelius's program files, you can change the program's startup sound from the soothing symphonic strains to most anything you like.

The iPad Pro has truly astonishing hardware that has the potential to replace a lot of what composers, performers, educators, and librarians are doing with notated music. Just don’t throw out your laptops yet.

The Scale Notehead Sizes plug-in easily resizes noteheads in Sibelius — making quick work of what was previously a time-consuming task.

In this in-depth tutorial, Bob Zawalich shows us various methods to notate lever changes for lever harps in Sibelius.

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