An interview with Sibelius user Robin Walker in which he discusses his background, helping fellow Sibelius users, and the future of music technology.

Sibelius has built-in tools for marking up your score, which can actually be quite useful in professional situations. In this post we'll explore Sibelius's commenting feature, how to use it, and how to make the most of it through plug-ins.

Notation Express for Stream Deck is a fun and easy way to work in Sibelius. It’s organized in a way that helps you be more productive and get results quickly. Let's create some lines with it.

There are preferences and then there are the Preferences, with a capital P — settings in an application that can significantly shape your regular work. Whether or not Dorico is your preferred program, let's find out what Preferences it offers.

Save time by using the Re-input Pitches feature in Sibelius, or the Repitch tool in Finale, when you’re writing for several instruments that have the same rhythm but different pitches.

Two Sibelius plug-ins to make your life easier: Merge To Voice 1 to convert notes in all voices in a selection into voice 1, and Simplify Part Names, removing all but the first instrument name in the Part Name field in Score Info for each dynamic part.

A talk with PreSonus’s chief operating officer Jim Boitnott about the history of Notion and the product's evolution.

Often in published scores, we encounter text that extends beyond the barline. Here's how to use the Erase background option to mask barlines in Sibelius.

Emmy-winning composer Michael Bacon talks to Scoring Notes about his film scoring process, technique, aesthetic, and use of Sibelius in his score to the film profiling the legendary Morgenthau family.